"I do think that one of the things that we talked about," Damon Lindelof stated, "was making sure that Kirk's travel here was fixed, that, at this point, he couldn't be spinning and sort of bonking around, even though the Enterprise was, and that's one of those little cheats that you do, filmically, to get past it." Kirk is still upset that he was betrayed. We got along really well, and I liked working with him." Spock is relieved the punishment was not more severe. We've established a brand new sort of timeline, we could do anything we want, let's just do something brand new." In "Space Seed", Spock refers to Khan and his people as supermen. Saldana laughed, then concluded, "It was a trip." What's the lesson to be learned here?" Uhura is upset at Spock's apparent lack of feelings recently, especially after his rescue at Nibiru. Not long after, he goes to work at the Kelvin Memorial Archive, catching sight of the unknown man in the street immediately before entering, and takes a long elevator down below the archive. Kirk falsely tells Marcus that Khan is in engineering, before breaking communication, and asking Chekov if they can go to warp. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features), Having Khan be returned to cryogenic freeze, alive, in the final moments of the film was done as a conclusion that was meant to be internally consistent with the rest of the plot; the writers felt this story point was "the logical and moral conclusion of the movie" and meant for Khan to be put on trial thereafter, rather than be immediately executed. "Simon [...] made me feel very comfortable, not that everyone else wasn't equally welcoming," she remarked. Meanwhile, Harrison materializes on a completely different planet, lifts up the hood of his longcoat, and walks away. Would require at least one wardrobe fitting. The stardate is 2259.55. 83 & 115), A blueprint for the Enterprise sets in this film, Following the release of Super 8, it was announced, in September 2011, that J.J. Abrams would direct this film. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features), A later scene – wherein Kirk and Spock notify Admiral Marcus that "Harrison" has fled to Kronos, Marcus tells them that Starfleet is on the verge of war with the Klingons, and he finally then sends them to kill "Harrison" – was worked on a lot and was added to with some additional dialogue. (Star Trek Magazine issue 171, p. 32), Since J.J. Abrams wanted the script of this movie kept secret as much as possible, the film's screenplay was released to the cast very soon before the film was to enter production, the start date being in January 2012. Harrison says Kirk can find some answers there. With the ship having been station-keeping over Earth, it promptly begins to fall toward the planet. He later recreated his dead wife and the crew to provide a home environment for his young daughter. 22 & 26) He also remarked, "I felt like the themes they were trying to tackle really spoke to me. "We discussed wanting to have something that was an emotional opening," observed J.J. Abrams. Eventually, it was decided that "they didn't want to mix the old with the new": Dorn had appeared in some of the previous Star Trek films and television series, playing Worf and his grandfather. It was finally decided that, although only one barge was necessary, two would be more exciting. He put his crew in the torpedoes in an attempt to smuggle them to safety, but they were discovered, and he was forced to escape alone. "My crew is my family, Kirk. He then orders Kirk to turn Khan over, but the Enterprise's transporters are down. Lindelof likened the seemingly unavoidable prospect of portraying the Khan of the alternate reality to the basically inescapable effect of gravity on a ship that was falling to Earth. [70] Also, Hawaii was considered for "jungle scenes" set on Nibiru but a location in Southern California was chosen instead. ("The Sound of Music (and FX)", "Featurettes", Star Trek: The Compendium special features), Depending on where the film was screened, a different song was played in the scene showing Scott and Keenser at a San Francisco bar. He added the film would build on the previous one, but it still had to attract new fans and stand by itself without relying on its predecessor. And we really needed Kirk to go to a dark place, so that you would believe that he would risk the life of his crew to [...] go into Klingon space and take revenge." She runs to the bridge, and warns Kirk that the Vengeance has the ability to engage other ships at warp speed. (SciFiNow, issue 84, p. 042) The scene also underwent some revision, Bryan Burk noting, "[It] took a while to kind of find its rhythm and really work for us emotionally." (Star Trek Magazine issue 172, pp. ", "Jim, for the love of God, do not use those torpedoes. Scott then stuns Khan as ordered. [132] He commented upon commencement of filming that the engineering designs had been altered. Kirk tells them of their plight, using the communicator. 20 & 21), One of the ways J.J. Abrams' erraticness affected the cast was in lines given to Uhura. "I think a lot of us had a couple observations and notes, and J.J. was really open and encouraging for us to speak up, because we incarnated these characters in the first installment," pondered Zoë Saldana. It hits the ground running; it starts fast-paced and doesn't stop through the whole thing. Now Sulu's a good man, but he is no captain." [11] Michelle Erica Green of TrekNation noted the similarity to the episode "Shadowplay" and was criticized the writers for using such a recognisable premise, but also suggested the episode may have been an attempt by the writers reinterpret the father daughter story of Prospero and Miranda from The Tempest by William Shakespeare. Its destination is set somewhere they normally cannot follow. The younger Spock asks about Khan and if his elder self encountered Khan before. McCoy uses his medical skills to assist Carol Marcus in performing "surgery" on a torpedo, something his prime universe counterpart assists Spock with in, Scott sabotages the Starfleet prototype USS, In San Francisco, trolley cars are shown to still be in use. They succeed in one fistfight with Vengeance crew. That being said, Khan Noonien Singh is the most dangerous adversary the Enterprise ever faced. In turn, Spock expresses gratitude that Jim is alive. Spock orders all personnel to abandon ship, but the crew refuses, willing to go down with him. (Star Trek Magazine issue 172, pp. A video game, Star Trek, was released before this film. (SciFiNow, issue 80, p. 026), For the Enterprise in this film, the creative team attempted to preserve a look of newness and cleanliness while also giving the vessel a sense of scale. [105] The day after, the cast and crew conducted more filming in Los Angeles. The, In the film's London scenes, the "London Eye," a giant Ferris wheel on the South Bank of the River Thames, built in, Among the pedestrians in San Francisco is an, Pike tells Kirk that Starfleet Command returned the captaincy of the, The effect of fading the screen to black but then having sounds become audible was previously used in. What's their arc in the second movie, because we don't want to abandon the characters; the characters are what everybody cares about. ", "The ship's dead, sir! "J.J. stood by his commitment to use that system, but we couldn't operate the cameras the way we do normally." ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features), The shuttlecraft journey that takes Kirk, Spock, and Carol Marcus to the Enterprise was rewritten a few times. [168], Believing they had made this film sufficiently different from the earlier one, Roberto Orci and Alex Kurtzman responded by insisting that this film is not a remake and that at no point during the lead-up to it's release did they refer to it as a remake. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features), Kirk sacrificing his own life in order to save the Enterprise and, in his final moments, speaking with Spock while they are on either side of a glass window was written as an homage to Star Trek II: The Wrath of Khan. We only closed our deal with Paramount two or three months ago. John Cho likewise enjoyed getting to know Cumberbatch, whose performance impressed him, and Eve. (Star Trek Magazine issue 172, pp. With alliances tested, relationships strained and differing motives clashing, how costly will the thirst for vengeance prove? Again! It was just a balancing act to try to keep all those things. Khan is Khan." She insists she be allowed to try to reason with the Klingons. [7] "The studio [Paramount Pictures] understandably wanted the next movie to come out two summers later [than the previous film]," Kurtzman noted. Some are very direct; others are more thematic." I went downstairs and went on Twitter and someone tweeted to me 'Can you please use one of the themes from one of the old series in the new movie'... and I thought 'OK, OK' and so I went back upstairs and there was one I always particularly loved... so that will be there for you to find." 20-21) [27] Whereas a writers' strike had prevented the cast members collaborating with the writers on the previous Star Trek film, this movie was significantly modified by the cast. [8], Oasis was noted as an example of the use of hologram technology in Star Trek. Star Trek Into Darkness received the following awards and honors. Satisfied they were far enough from the volcano, Kirk hangs the scroll he stole off a tree. People can expect to see something fantastic." The end of the film originally contained a scene at the commemoration ceremony, where Kirk speaks with Rima Harewood and her daughter Lucille, the latter of whom appears to have been restored to good health. "Captain, are you going to punch me again over and over till your arm weakens? Two of the Kantare, Ezral and Captain Kuulan, tell the away team the ship was attacked by raiders three years ago. ", The prospect of working on this film along with J.J. Abrams, Roberto Orci, Alex Kurtzman, and Bryan Burk originally drew Damon Lindelof to the project. 27 & 29) On 4 January 2012, Variety announced Cumberbatch would be playing the villain. They feel like children who had to take care of the house in mum and dad's absence or something. (SFX, issue #200, p. 68) However, alongside the Khan report, it was confirmed that he would indeed be returning for the sequel. exclusive-interview-damon-lindelof-part-1, The development process became a virtually nonstop brainstorming session. (SciFiNow, issue 80, p. 023) She explained at length, "The people behind this film were all so incredible that there was no awkwardness. [75] For Leonard Nimoy's cameo, the offices of Bad Robot were selected. (Star Trek Magazine issue 172, p. 45), Their interaction with J.J. Abrams was largely enjoyable for the main cast members. "Mr. Sulu... remind me never to piss you off. (Star Trek Magazine issue 172, p. 15) However, Abrams was typically hyperactive during the shoot. "As you know, I have made a vow never to give you information that could potentially alter your destiny. At the San Francisco bar, among the other drinks on Scott's table is a Budweiser. Chekov has found a coolant leak in the warp core, and stopped the ship manually. They are joined by Dr. Carol Wallace, a weapons expert who Admiral Marcus has assigned to the Enterprise as an extra science officer. (SciFiNow, issue 80, p. 023), Michael Dorn was contacted for a role during the start of filming, and was asked to play "an officer – a soldier." As Kirk pilots their vehicle to Harrison's location, Sulu sends his message via a targeted com burst, giving Harrison two minutes to surrender, or he will be eliminated with new, advanced weapons. ", "Tell me are you feeling, homicidal, power-mad, despotic?" And he was right," Roberto Orci conceded. [2] He stated the planet's destruction "cast a pallor over this entire Federation that needs to be reconciled. I called him 'Perfect Hair!' In the meeting room, Spock forms a mind meld with Pike right before he dies. That I believe in you. "So, we collectively decided, let's put our chips on the table, and ask them to give us the time to make the movie that we felt was worthy of being a sequel." Both cast members enjoyed their training routine, which involved wire work for both the two actors. Kirk counters that Pike convinced him to join Starfleet because of his maverick attitude. "Plus we couldn't do two movies and not have the Klingons," said Abrams, chuckling. Sony Stage 15, which was the largest stage at Sony and was larger than the Paramount stages, enabled the filmmakers to build interconnected interiors for the Enterprise, similar to the original television show. Admiral Alexander Marcus, the head of Starfleet. Kirk then begins to tell Spock why he saved his life on Nibiru, but Spock knows – "because you are my friend." After a kiss from Uhura, he is lowered by cable into the volcano. "How? "And that responsibility never stopped being daunting. At that point, the engines go completely down, and main power fails, with backup power severely crippled. "[12] Television Without Pity gave the episode a grade C+. The ensuing fight halts when two Klingons hold Kirk to the ground and put a rifle to his head. "Give me one reason why I should listen to you" Spock refuses, but Khan says he can get them himself, without Spock's help, by disabling the Enterprise's life support system and waiting for the Enterprise crew to suffocate before retrieving the torpedoes himself. Khan? I turn around and it’s this kid who must have been about eight years old, and I thought to myself, 'Would you look at that. "More than anything else, what I liked about the second film, and it sounds crass, but our box office doubled internationally [from the previous movie]," he stated, "which was really telling because people were starting to see [Trek] and not be afraid of it in the rest of the world." "J.J. said, 'Now this really excites me.'" "[It] meant an even stronger sense of protecting it the second time around," Kurtzman went on. That's the Roddenberry factor. It should be introspective, and self examining. The day after the end of a two-week international tour promoting this film to the world's media, Bryan Burk divulged, "I'm excited for everyone to jump onboard with this film [....] From the Star Trek fans who have seen it, they all seem significantly more invested than ever," Burk laughed. To which are you referring? Kirk and Khan will traverse space to board the Vengeance. (Star Trek Magazine issue 172, p. 83), Simon Pegg suspected the "very human story" at the center of this film would "resonate with the audience." Kirk has stolen a scroll sacred to the Nibirans. (Star Trek Magazine Special 2015, pp. [123] The theme in particular is the "fight to the death" music from TOS: "Amok Time", which can be heard during the climactic fight between Spock and Khan. They are annoyed when he answers a call on his communicator from Starfleet. "Amok Time" composer Gerald Fried is acknowledged in the credits for the track titled "Ritual". "Although we establish in the first film that [Pike] was a father figure to [Kirk], as we all know, you rely on what people's impression of the first film was, so we had to re-establish the father-son aspect of it," explained Maryann Brandon. Its story and development cycle were independent of the films, but its release was delayed to promote Star Trek Into Darkness. He has killed many of our people." Kirk and Scott make their way to engineering, a difficult trip with the ship tumbling and artificial gravity systems failing. In agreement with Kurtzman, Abrams professed, "It's very anti-Roddenberry." Kurtzman remarked, "You certainly can't fault us for not taking the time to consider our choice [of whether to include Khan] – some people may disagree with the choices that we made, but we did not go into it blindly [....] And people seem to like it, which is the most gratifying thing, because we made it for people." "We were actually location scouting, and we're at a restaurant, and I remember I just doodled this idea on a napkin," he recalled. We would routinely say to Corey 'let's push it further' and he would say, 'this is as far as anyone could possibly go' and we would say 'Go further! ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features) In Maryann Brandon's opinion, the addition of the bar scene made "a huge difference in the film." "I remember there was a movie, An Innocent Man, and I was like, doesn't that kinda ruin everything?!?" Kirk contacts Scotty and gives him the coordinates Harrison gave him. That story stands alone with or without Star Trek history. Roberto Orci, Alex Kurtzman, and Damon Lindelof were meanwhile waiting to receive feedback from the earlier Star Trek film and were aiming to deliver this movie's script to Paramount by December 2009 for a possible summer 2011 release. Sulu?" "In an effort to bridge that difference, we didn't use the entire [1.43:1] IMAX negative – we masked it to achieve a ratio of 1.66:1," he says. He has a new variety of advanced long-range torpedoes that Kirk can use to covertly take out Harrison. Hopefully, I came up with something more than just bad guy music for him." ', and that works on its own. Spock Prime warns his younger self about Khan. Carol Marcus tries to contact her father, skeptical he will destroy the Enterprise if he knows she is on-board. Kirk, Scott, and Khan head to the bridge of the Vengeance. "So tell what you did wrong. Dr. McCoy then tells Kirk that Spock had the cryo tubes removed, and they are now safely in medbay. The crew is directed to a barren planet, where a derelict ship may be salvageable for supplies. [136] On 16 April 2012, a new photo from the filming went online, showing Zachary Quinto filming the volcano sequence. Using miniprops and breathing apparatuses, they swim to the Enterprise and board through an airlock on the secondary hull. (SciFiNow, issue 84, p. 044), All the major actors in the first film – namely, those portraying the command officers of the USS Enterprise (John Cho, Simon Pegg, Chris Pine, Zachary Quinto, Zoë Saldana, Karl Urban, and Anton Yelchin) – returned for the long-awaited sequel. The rewrite only happened after the creative personnel struck upon the thought of writing a new scene, set in a bar, later in the plot. (Star Trek Magazine issue 172, p. 83) Pegg also recalled squealing in delight as he read through the screenplay. [111], J.J. Abrams discovered that, by attempting to push the limits of what he and the rest of the film's crew were capable of, this movie turned out to be, by far, his hardest directorial effort yet. Back on Earth, Thomas Harewood, a Starfleet officer living in London, travels with his wife to Royal Children's Hospital, where their daughter is currently in a coma with a severe illness. "We're the most advanced nation, we are prosperous, powerful and plentiful, and yet there is a lot of darkness and things we have to overcome [...] [such as] real barriers, both from within and externally." The crew cannot make contact with him, so Uhura beams to the transport vehicle. "One of the ideas that I thought, you know, was sort of fun was, how do you end the sequence?" "It's funny. It felt like that would have been a hugely missed opportunity." While people were [suggesting] things, none of that really mattered much to me, because I felt like I was coming from the point of the moviegoer who just wants to be entertained, understand, and care about the world and the characters." Kirk is surprised he has found him; the admiral simply says he knows Kirk well, recalling a bar fight with Starfleet cadets back in Iowa before Kirk enlisted. (Star Trek Magazine issue 172, p. 82), Chekov actor Anton Yelchin opined, "Even though it's been four years between films, you can quickly see why. Harrison somehow knows about the damage to the warp core, suggesting something is amiss. "We wanted to extrapolate from the situation, at least in America, these days where it's the best of times and the worst of times," Orci observed. The crew comes to suspect that rumours about the shipwreck being haunted may be true.[3]. We were thinking about the themes of the film and what would resonate. [137], The first image officially released from the film, In an October 2012 interview on the talk show Conan, J.J. Abrams debuted a three-frame clip of Spock in the Nibiran volcano. He gives Kirk back command of the Enterprise, and Kirk requests Spock be reinstated as his first officer. "It was a question just of what it was gonna be, exactly," Maryann Brandon recollected, "and how to show Kirk's drive for revenge without making him seem like he was only about revenge and that his feelings about Pike had been entirely pushed to the side. The first named Klingon to appear in Star Trek, as an antagonist to Kirk. Even though the actor had turned down an invite to make a cameo appearance in Star Trek Generations because he felt what had been written for him to play in that film was too general, Nimoy was convinced that this movie was sufficiently specific about the inclusion of Spock that he was willing to participate. Why bring him back?' The Star Trek:Deep Space Nine episode "Shadowplay" also features villagers going missing and a similar conclusion. If you're not a fan, it doesn't matter; you're just watching a story of, 'Can I trust this man or can't I? Pike reveals Starfleet gave the Enterprise back to him. It was feeling like a Star Trek flavored action movie." It's possible that non-union performers may need to work SAG (depending on the work day(s) they are ultimately fit for and the number of performers working that day)." How do we make it better, more emotional, and with more drama, action and impossible odds?" (Star Trek Magazine issue 172, p. 110), Kirk actor Chris Pine observed it was important to make this film "as good as the first one" and ensure it lived up to the expectations of the viewers. 41, 56, 82, 111) Pine was wowed by the work of both Cumberbatch and Eve in this film. "Oasis" is the twentieth episode (production #120) of the television series Star Trek: Enterprise. Spock asks Uhura to patch him through to New Vulcan and reaches his counterpart from the prime universe, Ambassador Spock. [26], The writers had been working on this film extensively by the time it came to cast the movie, for example having put a lot of effort, before an actor had to be chosen to play the role of Khan, into determining how they wanted that character to be portrayed. Her real name is Carol Marcus. Alan Dean Foster wrote the novelization of this film. He too has gone through the process, to some degree, that some of our crew have gone through, and clearly for some reason it's failed to bring him over, so I think he represents that part of our heroes." "We talked about the idea that there were sort of like heat waves that Kirk was going through, et cetera, et cetera [....] I think we had no less than fifty meetings about how we could visually describe what was wrong with the core and how Kirk was gonna set it right. ", "You don't respect the chair. In engineering, Tucker and T'Pol discover a section of the ship protected with a dampening field. 80 & 82), Simon Pegg first read the script of this movie while he was with a friend in New York, shortly before Christmas 2011. We're not such a unified front, and we have to break into factions to get things done [....] We do spend a fair amount of time together for the big action set pieces [though]." He's our only chance to save Kirk! However, there originally would have been a simultaneous subplot about a Klingon fleet heading to Earth, "only to be turned around via diplomatic intervention by Uhura," Lindelof said. (SciFiNow, issue 80, p. 26; [67]) This time, filming locations chosen to represent Enterprise interiors included not only Budweiser Brewery, which had been used for ship interiors in the previous movie, but also National Ignition Facility at the Lawrence Livermore National Laboratory in Livermore, California. Kirk asks for Khan's help, assuring him this will be his only opportunity to save his crew. But I knew nothing until I got to read the script, under lock and key, in one of the producer's offices." Khan is also knocked off course, but reestablishes himself and encourages Kirk to align himself with Khan's course and enter the airlock together. The sequence where Harrison fires upon several Starfleet officers from a jumpship was recut: in the earlier version, Kirk witnesses Pike get shot and is by his side as Pike dies; Harrison swoops back to the scene and resumes fire, prompting Kirk to take down the ship. I would say the scope, in terms of the visuals and the action beats, and also the characters' journeys, are much, much bigger than the first film." 040, 041 & 042). [65], When the cast of this movie began rehearsals, Benedict Cumberbatch wasn't present (as he was not yet cast) but Alice Eve was. A series of terrorist attacks on Earth places Captain James T. Kirk on a mission to deal with the culprit. As Kirk's crew comes out from behind cover, the Klingon commander shouts an order and a redshirt is shot in the chest. [142] The first trailer for Star Trek Into Darkness was shown before non-IMAX screenings of An Unexpected Journey. Doug Drexler has in 2013 put it as follows, "Technically they are beautiful… the work is stunning… however… and I hope no one will hold this against me… I did not enjoy the last two films, and honest…I really wanted to… but for me, Star Trek has to have a philosophical, humanist bend to it… always making a point, or asking a question. "And in the act of avoiding him, it would be more difficult than just basically doing it and finally freeing our franchise of the only question that was really plaguing it [....] Until we did our version of Khan, we really felt like we could not move past it." Bank when the previous film comes to suspect that rumours about the torpedoes 's first mission. 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