There are plenty more prominent Judas Priest tracks to settle on for this list, but I like this one because it proves beyond a doubt that some heavy metal was of high enough quality to generate deep album cuts that deserve to be revered as classics. Lady Gaga, “Perfect Illusion” Gaga’s “Perfect Illusion” is the electro essential from her latest album, Joanne. —DR, 8. It’s a nostalgia-baiting synth-rock oasis. Kanye West, “Fade”Were we to include songs from pre-2010, we’d give high praise to Kanye’s greatest ‘80s moment to date, 808s & Heartbreaks, but that’s not where his callbacks began and ended. In the end, he really contradicts himself, proving that, as the Purple One once said with a pinch or two of shade, “sexy never left.” —DR, 32. Her whole aesthetic is throwback, even when it feels ahead of its time. —DL, 9. I eat pieces of Skrull like you for breakfast! The 1975, “Somebody Else”Their name might be the 1975, but this band’s latest album is nothing but ‘80s, baby. —DR, 10. That’s what we call a Heiglian dialectic. “Lost Boys and Girls Club,” the album’s first single, opens with a reverb-heavy guitar pattern reminiscent of the Smiths’ “How Soon Is Now” before powering into gloomier Jesus and Mary Chain–Cure territory. Kyle Dixon and Michael Stein, “Stranger Things”It didn’t require much to prove that Netflix’s Stranger Things was, above all, a love letter to the ‘80s — you felt it in the clothes, the cultural references, its Goonies and E.T. My only complaint would be Jeff Keith's somewhat thin voice, but an inaccurate association with hair metal couldn't spoil this band's prime spot at the top of the '80s hard rock heap. Hollywood turned its back on Halle Berry after her movie bombed, but why couldn’t the industry let a Black woman flop in campy peace? MGK’s ‘love race’ Video Features Kellin Quinn, Travis Barker, and a Murderer. This one doesn't have the fury of a hurricane perhaps, but it's a powerful showpiece nonetheless. Who better for the job than Kyle Dixon and Michael Stein of the ‘80s-indebted S U R V I V E? Charli XCX, “London Queen”Charli XCX was making records for years before screaming into America on the hook of Icona Pop’s “I Love It,” and on her ensuing smash hit Sucker, she was at her absolute pop-punk best. Chance comes from Chicago, and even though he’s only 23, he isn’t ignorant of his city’s rich musical history. You know that this element has been overused in the past and is considered cliched or cheesy, but the song needs it.” Thus, it’s the epitome of ‘80s music. Angus Young clearly lost no riffing chops following the sudden death of Scott, and Johnson jumped right in as a sensible, organic replacement. Taylor Swift, “New Romantics”Taylor shocked fans and skeptics alike by releasing her first full-on pop album, 1989, in 2014. In my mind, metal in the '80s never seemed more broodingly gothic, precise or intelligent than in the work of Metallica, one of the most important of America's thrash pioneers. Danny Brown, “Fields”In many ways, Detroit has been a place where the ‘80s never ended. Many Chance songs feel and sound like unbridled joy, and this one’s a blast from start to finish. —DL, 35. “Closer,” the first single from their 2013 album Heartthrob, leans heavily on the throwback sounds of the sisters’ childhood, a Cyndi Lauper–like dance-floor jam about young love. This solid track likewise stood a breed apart from its rock radio peers of the time in the sense that it actually rocked hard. It’s no wonder every listen feels like stepping through the same portal to the Upside Down, only straight into the ‘80s-laden world the show so authentically re-creates. —FG, 20. Miranda Lambert, “Priscilla”Country superstar Miranda Lambert tackles big ballads, porch-front folk jams, and rockers alike with the same Texas charm. Divine Fits, “For Your Heart”Led by Spoon’s Britt Daniel and Wolf Parade’s Dan Boeckner, this group’s album was a hit with critics and fans, thanks to the surprisingly tight chemistry between the leaders. With an ‘80s flair — here provided by a beat from Swedish super-producer Shellback — CRJ’s unabashedly sincere proclamations and anthemic choruses are injected with throwback cool. The militantly tight instrumentation takes cues from ‘70s James Brown, but the most obvious ‘80s callback comes when Kendrick lifts “Annie, are you okay?” from MJ’s “Smooth Criminal.” —IK, 4. To wit: “Uptight Downtown” is equal parts Bowie’s “Let’s Dance” and the best of Duran Duran. It was released on April 19, 2017, through Fueled by Ramen as the album's lead single.The song was written by lead vocalist Hayley Williams and guitarist Taylor York and was recorded in the band's hometown, Nashville, Tennessee. Without Lynch's powerful, imaginative riffing and speedy, exhilarating solos, Dokken would have never escaped the heap of moderately talented melodic metal bands of the mid-'80s. "Hard Times" is a song by American rock band Paramore from their fifth studio album After Laughter. Pop moves so quickly that we forget this is the song that broke The Weeknd to a mainstream audience, giving him his first top ten hit on the Billboard Hot 100. lineage — but having a theme song drive that point home felt like the necessary bow to tie it all together. It’s one of co-writer and producer The-Dream’s great Prince homages (see also: “Fast Car” and “Yamaha”), full of howling guitars, gleefully alien synths, and busy drum programming. “Call Your Girlfriend” is glossy and unpredictable (that glitchy electro breakdown toward the end just kills), a massive pop anthem that’ll make you wonder how different things might’ve turned out had Cyndi Lauper also hailed from Sweden. 18: One Last Song. All week on Vulture, we’re examining ‘80s pop culture, and how it lives on today. Catchy and captivating, “Born Again Teen” takes cues from ‘60s girl-pop with its enticing melodies, but the pounding beat and scathing keys put it firmly in ‘80s territory. Walk the Moon, “Shut Up and Dance”The quartet’s 2014 hit opens with a riff that’s almost an exact copy of U2’s “Where the Streets Have No Name.” You can get mad about that or, as the title suggests, get off your ass and enjoy the moment. But that all returns when you pay attention to the lyrics, particularly the “see you on a dark night” refrain, and learn that the song is about her sexual assault. Singer Nick Petricca wrote the song after a night out at a club with his girlfriend, later citing Pat Benatar, the Cars, and Rick Springfield as influences. Cultural Ground Zero goes a long way toward explaining that weird sense of time compression. There are several of the band's tunes more well-known than this fine album track from 1984's Love at First Sting, but I don't know if there any that are better. And you know what else won’t be weird, soon enough? ), but it’s got a long heartbeat echoing back to precisely three decades ago. –DL, 42. “Somebody Else” has all the sexual tension, slow-burning sensuality, and suspense of a song like Tangerine Dream’s “Love on a Dream,” but also the control of a Tears for Fears fever dream. The San Francisco-area quartet deliberately stayed quite removed from L.A.'s Sunset Strip scene, developing a speedy and brutal sonic assault informed by both punk and classical influences. Bruno Mars’s powerful vocals fuel the funk-filled pop jam, and the song speaks to influences from both the ‘70s and ‘80s, especially the “Minneapolis Sound” of Prince and the Time. The band is modern, but you’d be forgiven for mistaking their electronica style for that of Depeche Mode or Pet Shop Boys, sans lyrics. But really, this song’s DNA probably has the most direct connection to the Grateful Dead’s 1987 song “Touch of Grey,” which the War on Drugs just so happened to cover as the lead track of the National’s charity compilation Day of the Dead. 50. The song's musical attributes are plentiful as well, from the familiar, galloping rhythm section to the twin-guitar attack of Adrian Smith and Dave Murray. —IK, 5. For the purposes of this list of premium '80s hard rock songs, I consider the broad term of hard rock to apply to loud, guitar-heavy rock music generally played by long-haired male musicians at slow and medium tempos. Here's another curveball for you, a sleeper track from this other great British metal band's masterpiece, 1980's British Steel. Classixx, “All You’re Waiting For”Like Chromeo, Classixx seem to have made it their mission to get as close to time travel as possible. © 2021 Vox Media, LLC. Killer Mike, “Big Beast”The first track on Killer Mike’s R.A.P. Genuine hard rock received a real threat from the dominion of hair metal during the late '80s, but luckily bands like Guns N' Roses, Tesla and Queensryche maintained the form's punishing sonic integrity through each band's distinctive sound. —IK, 40. Blood Orange, “You’re Not Good Enough”Alongside girlfriend Samantha Urbani, Blood Orange’s Dev Hynes does his best Prince on “You’re Not Good Enough.” The Cupid Deluxe jam features funky R&B melodies and lyrics that are straight-up vindictive: “I never was in love / You know that you were never good enough.” There’s a lack of sensitivity that runs throughout the track, but it’s Hynes’s ability to channel the Purple One that makes the song stand out. Downing and Glenn Tipton always work incredibly well on both riffing and solos. Dum Dum Girls, “Lost Boys & Girls Club”After years of making lo-fi, girl-group-inspired garage rock, Dum Dum Girls took on a darker vibe for their third full-length, 2014’s Too True. —DL, 33. Why have they been hiding Kathy Hilton from us all of these years? To the Montreal singer-songwriter-producer’s credit, it’s simultaneously dark, bubbly, and catchy as all get out. Oh yeah, “Kiss It Better” just screams ‘80s throwback. “The ‘80s and some of the ‘90s was a time when weird was celebrated,” he later said. Tame Impala, “The Less I Know the Better”For a man with two ‘60s-indebted psych-rock albums in his catalogue and a voice that bears an uncanny resemblance to John Lennon’s, Tame Impala’s Kevin Parker is no stranger to leveraging his talents to pay tribute to the past. —Jordan Crucchiola, 31. “Tough Love,” with its breathy vocals and classic Bobby Z. drum kicks (producer Benny Blanco’s touch), hits all the purple notes. Brandon Flowers, “Lonely Town”Let’s not pretend like the Killers weren’t (aren’t?) The song only reached #3 on the Billboard Hot 100, but it climbed straight to the top of the Pop Songs chart, where it stayed for six weeks. The Aussie’s third album, 2015’s Currents, saw Tame Impala find inspiration in a new decade, with Parker describing it as his attempt to “convince a few die-hard rock fans that ‘80s synths can fit over a ‘70s drum beat.” “The Less I Know the Better” uses that formula to great effect, resulting in a track that deftly infuses its retro influences while managing to create something that transcends pastiche. In five years, it’ll be karaoke gold. “London Queen” particularly shines, and sounds like it was pulled from the “Going Underground” era of the Jam. “Priscilla,” off her last album Platinum, wraps her vocals in acoustic guitars and drums that dance around the classic Bo Diddley beat, sounding for all the world like George Michael’s “Faith” until the chords change midway through each verse. —DR, 15. Music heralds the beginning of a beautiful friendship. —Dee Lockett, 47. —CJ, 23. That Palomo’s vocal melody recalls Prince is basically a foregone conclusion at this point — and while that could make his music seem derivative, Neon Indian’s woozy concoction of inspirations is just so diverse, flashy, and fun that it could never be considered anything but original. This L.A. band transcended its hair metal visual image and propensity toward sappy romantic lyrics and power ballads for one reason and one reason only: the contributions of guitarist George Lynch. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1983. —SR, 3. —DL, 1. As far as MJ knockoffs go, there’s not much here to be mad at. —DR, 17. Neon Indian, “The Glitzy Hive”If it’s not apparent from Alan Palomo’s moniker and song titles, his Neon Indian project is not subtle: On “The Glitzy Hive,” he unabashedly draws from a grab bag of ‘80s influences, from pop and New Wave to Italo-disco and R&B. Not because it’s bad, but because I couldn’t believe that this song, which was so clearly an old ‘80s hit I must have heard somewhere before, had mistakenly turned up in rotation on this satellite radio station that was supposed to be playing the newest tracks of the week. Foals, ”My Number”With production from Flood (New Order, Ministry, Nick Cave, Depeche Mode, U2), it’s no mystery why this funky electro kiss-off to both a relationship and city living sounds like it was written a few decades before its 2013 release. —DL, 28. The damn song even makes reference to a Gravitron. Tegan and Sara, “Closer”The Quin twins were already favorites among rock fans thanks to acclaimed albums like So Jealous and The Con, where they experimented with a blend of indie pop, punk, and folk. In addition, while any music that is genuine heavy metal falls into this category, some subgenres of metal like pop metal or hair metal may not constitute hard rock at all (consider Bon Jovi or Poison, for example). I choose this one, however, because it's the best approximation of the menace, threat and breakneck assault Guns N' Roses delivered in its blend of old-school hard rock, metal and punk. It may also make you ponder the very nature of time. Rihanna took plenty of risks on her new album, Anti, with one of the greatest being this attempt at an old-school rock-and-roll power ballad. —JC, 24. Great background music for cool TV advertising, funny commercial, family children videos, startup presentations, Kickstarter videos, web projects, youtube and more. Chromeo, “Night by Night”In many ways, electro-funk is a totally contemporary fusion of styles, made possible largely because of advances in the machinery that births electronic music and our collective cultural longing for the music that predated so many of us. Robyn, “Call Your Girlfriend” It’s hard to believe Robyn is even of the modern era; everything about her just feels so reminiscent of ‘80s Europop. Rihanna, “Kiss It Better”Guitar on a Big Pop song? Literally. —IK, 13. Produced by El-P, “Big Beast,” with its eerie, brutally direct force, marks the first collaboration between Mike and El that would culminate in the formation of Run the Jewels. —IK, 2. It’s her combo of “The Beautiful Ones” and “Don’t Stop Believin’” or a sexy siren Tina Turner singing alongside Slash, with some not-so-subtle innuendo. “Lonely Town” is exactly the sort of song Iona would’ve played at her record store in Pretty in Pink. “We Exist” isn’t full-on Michael, though. Further proof that this is Kanye’s ode to the ‘80s: Its video stars Teyana Taylor in what is essentially a mini Flashdance remake. The decade’s factory closures devastated the Motor City, and the ensuing unemployment and crime struck so harshly that it has yet to recover. But credit is due to keyboardist Alex Fischel and drummer Sam Brown for anchoring 2012’s A Thing Called Divine Fits, especially under Boeckner’s vocals on this alternatingly tense and tender track. They breathe the ‘80s, and it’s no more evident than on “All You’re Waiting For.” This is everything the once-thriving monoculture loved about Nile Rodgers–era Madonna, from the funk-infused groove to singer Nancy Whang serving shades of Madge’s signature spoken-sung vocals (think especially “Holiday”). Kavinsky uncannily revived the sound of John Carpenter on the soundtrack — icy, hot pink, and breaking under the weight of its own heavy synth. This 1980 title track to one of the band's and heavy metal's most signature albums simply pummels the listener with uncontrolled riffing, a merciless rhythmic assault and the throat-ripping vocal exploits of Lemmy Kilmister. Then, just when you think you’ve heard it all, in comes the saxophone solo from James King of Fitz and the Tantrums that transports you 25 years back in time. Sigrid’s “Mirror” does the disco revival justice, and then some. Brad Pitt Granted Joint Custody, Angelina Jolie Appealing Decision. Throughout the four-minute Hurry Up, We’re Dreaming track, Anthony Gonzalez’s vocals soar hazily into the ether and the main riff sparks like a neon laser beam. “Infinity Guitars” is a percussive behemoth where the titular objects are serrated with distortion, then framed by an obliterating bass drum, hand claps, and what sound like actual sleigh bells that build to an atomic climax. The addition of Julian Casablancas, whose solo LP Phrazes for the Young was its own kind of ‘80s tribute, brought new and old together for this kicking dance jam. Jolie reportedly claimed in a filing that the couple’s teen children could not testify in the trial. Just watch. This is more like Win Butler channeling Morrissey going through a disco phase. But not now, not here, and especially not when it’s reemerged in such a major way and being championed by the city’s newest generation. Jason Isbell on His Best and Most John Prine–Borrowing Work, Premiering June 24 on Paramount+, the season features multiple second-out queens, multiple, Ariana Grande Shares Photos From Her Home Wedding to Dalton Gomez. That’s their schtick, and they wear it well. When trying to cull one song from probably the best hard rock album by the best hard rock band of the '80s, I could have picked any of a dozen tracks and not gone wrong. Christopher McDonald Joins Cast of Marvel’s. ABBA (/ ˈ æ b ə / AB-ə, Swedish: ) are a Swedish pop group formed in Stockholm in 1972 by Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad.The group's name is an acronym of the first letters of their first names. Kendrick Lamar, “King Kunta”“King Kunta” screams neo-soul and funk right out of the gate, while paying homage to ‘90s hip-hop stalwarts like Dr. Dre, Tupac, and Ice Cube. And a new crop of musicians, from pop stars to indie darlings, embraced those sounds, emulating them in the same way other artists repurposed the blues, classic ‘60s rock, and ‘70s punk. Deciding which one, however, is both the hard part and the fun part. Stacker put together a list of the 50 best pop songs of the last 30 years based on the Billboard Pop Songs chart from its inception all the way up to Sept. 30, 2017. This isn't metal, but it's premium hard rock without a doubt. The weekly event featured the ginger “Prince Aston” and his Hollywood-actress wife “Bianca Barnes.”. And it's not just Axl Rose's liberal use of profanity and confrontational lyrics that bring a consistent sense of danger; the entire band starts a collective sonic riot that sounds as fresh and exciting today as it did more than two decades ago when the L.A. quintet emerged. Arcade Fire, “We Exist”Nowadays, lawsuits get filed left and right for ripping off classics (and, more and more, artists are losing), so it’s surprising that Arcade Fire would also so brazenly lift the bass line from “Billie Jean.” But, hey, if you’re gonna risk it all, make it count. I’ve since made my peace with the fact that Haim often sound of another era, because their songs are just too catchy for me to hold a grudge. —SR, 37. The most dangerous game of all isn’t man, it’s Spider-Man specifically. —DR, 43. M83, “Midnight City”“Midnight City” put French electronic group M83 on the map. Haim, “Falling”The first time I heard Haim’s “Falling,” I was annoyed. 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